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PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
Accompagnement Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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Guitare, Flûte, Clarinette
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2 Guitares (duo)
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7
2 Cors Anglais Et Pianoforte
4
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2 Cors Anglais Et Pianoforte
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
8
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6
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3
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1
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1
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1
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1
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1
Quintette à cordes: 2 violons, alto, violoncelle, basse
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1
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PERCUSSIONS & ORCHESTRES
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96
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Adagio for Orchestra Score and Parts
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Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
92.06 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.36 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Adagio for Orchestra Score and Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.863097 Composed by Jordan Grigg…
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Full Orchestra - Level 5 - Digital Download SKU: A0.863097 Composed by Jordan Grigg. 20th Century,Concert,Contemporary. Score and parts. 121 pages. Jordan Grigg #3385747. Published by Jordan Grigg (A0.863097).
$27.50
25.32 €
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Orchestre
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Jordan Grigg
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Adagio for Orchestra Score and Parts
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Jordan Grigg
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SheetMusicPlus
Concerto for Oboe and Bassoon in C minor.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Fri…
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
27.62 €
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Orchestre à Cordes
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon in C minor.
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Arte Nova Music Lab
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SheetMusicPlus
Petite Suite for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.917402 Composed by Gregory Frit…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.917402 Composed by Gregory Fritze. 20th Century,Concert,Contemporary,Standards. Score and parts. 96 pages. Musica Nova USA #4895219. Published by Musica Nova USA (A0.917402). Petite Suite for Brass Quintet is a light-hearted piece for brass quintet in four movements with a duration of fourteen minutes. The four movements follow the basic Classical symphonic form - Allegro, Adagio, Scherzo (Presto) and Finale (Presto). The first movement Strombor has a fanfare at the beginning with a melodic 2nd theme in the French Horn. The second movement is based on a slow cantabile theme. The 3rd movement Attack of the Killer Bees includes a bit of theatre. Throughout the movement there is a buzzing of bees, which are killed at the end when all the players stomp on them. The 4th movement Finale has a feeling of cartoon music, ending with a big finish. Throughout the Suite each of the five instrumentalists is featured. The grade of this piece is level 5 (intermediate) for all instruments.Petite Suite for Brass Quintet was composed in 2000 on a commission by the Strombor Brass Quintet of Valencia, Spain. It was recorded by that group on Allegro Records V-3076-2002. It was also recorded by the Hoodlebug Brass Quintet on Albany Records Troy 1175. It can be heard on youtube at: http://youtu.be/RZFf3W_yZLo. Several ensembles around the world have played it, receiving over 100 performances in recent years. Petite Suite for Brass Quintet was submitted to the American Prize Composition Competition in the chamber music division in 2016. It was the highest awarded brass quintet composition that year, awarded Finalist. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00
36.83 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Gregory Fritze
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Petite Suite for Brass Quintet
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Musica Nova USA
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Alb…
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String Orchestra - Level 4 - Digital Download SKU: A0.955174 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6197195. Published by Chamber Ensemble of Minnesota, Inc. (A0.955174). Complete score and parts for the English horn arrangement of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes English horn I & II score, English horn I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The English horn I & II arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.34 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score, English horn I &
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Concerto for Two English horns in C Major, Op. 9 No. 9 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6140431. Published by Chamber Ensemble of Minnesota, Inc. (A0.955172). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.34 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score, Oboe I &
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Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 86 pages. Chamber Ensemble of Minnesota, Inc. #6050973. Published by Chamber Ensemble of Minnesota, Inc. (A0.955170). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe d’amore Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This Oboe d’amore solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.65 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for English horn in G Minor, Op. 9 No. 8 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5869923. Published by Chamber Ensemble of Minnesota, Inc. (A0.955162). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra , composed in 1722 by T. Albinoni, arranged for English horn by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: English horn, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for English horn offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.65 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in G Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for English horn in Bb Major, Op. 9 No. 11 and String Orchestra
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Alb…
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String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6039009. Published by Chamber Ensemble of Minnesota, Inc. (A0.955168). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged for English horn by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: English horn Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This English horn solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.65 €
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Orchestre à Cordes
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in Bb Major, Op. 9 No. 11 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.84 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Adagio No. 2 for Orchestra Score and Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.863100 Composed by Jordan Grigg…
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Full Orchestra - Level 5 - Digital Download SKU: A0.863100 Composed by Jordan Grigg. Concert,Romantic Period. Score and parts. 122 pages. Jordan Grigg #3385755. Published by Jordan Grigg (A0.863100).
$24.95
22.97 €
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Orchestre
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Jordan Grigg
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Adagio No. 2 for Orchestra Score and Parts
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Jordan Grigg
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SheetMusicPlus
Symphony No.1 "Forgotten Lands", Movement II. Adagio, Andante
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.712780 Composed by Doug Clyde. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.712780 Composed by Doug Clyde. Contemporary. Score and parts. 38 pages. ALBEDO MUSIC #2551057. Published by ALBEDO MUSIC (A0.712780). Symphony No. 1 Forgotten Lands- Movement II. Adagio, Andante (Full Orchestra): Doug Clyde. Song: Movement II. Adagio, Andante. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM58. The second movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra. Score & Parts- Piccolo / Soprano Recorder, Flute 1, Flute 2, Oboe 1, Oboe 2, Clarinet in Bb 1, Clarinet in Bb 2, Bassoon 1, Bassoon 2, Harp 1, Harp 2, Celesta, Violin I, Violin II, Viola, Cello, Contrabass.
$29.99
27.61 €
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Orchestre
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Doug Clyde
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Symphony No.1 "Forgotten Lands", Movement II. Adagio, Andante
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ALBEDO MUSIC
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SheetMusicPlus
Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts
Flûte traversière, Orchestre
Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical …
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Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Santino Cara. Classical Period. Set of Parts, Sheet Music Single. 153 pages. Published by Santino Cara
Complete score and parts of the "Flute Concerto in G major K. 313" for Flute and Orchestra. Composed in 1777 by Wolfgang Amadeus Mozart. Rewritten and processed by Santino Cara in Rome in 2019.<br> Movements: 1. Allegro Maestoso, 2. Adagio ma non troppo, 3. Rondo (Tempo di minuetto).<br> <br> Instrumentation: Two Oboes (In the 1st and 3rd movements), Two Flutes (only in the 2nd movement), Two Horns in G (In the 1st and 3rd movements), Two Horns in D (only in the 2nd movement), Flute solo, Violins I, Violins II, Violas, Violoncello and Double basses.
$24.80
22.83 €
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Flûte traversière, Orchestre
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Wolfgang Amadeus Mozart
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Mozart - Flute Concerto in G major K 313 for Flute and Orchestra - Score and Parts
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Santino Cara
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.37 €
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Orchestre
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
19.29 €
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Chorale SATB
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James Nathaniel Holland
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An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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James Nathaniel Holland
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.2 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Classics for Contest: 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0014610_VN1 1st Violin. Ar…
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String Orchestra - Digital Download SKU: AX.00-PC-0014610_VN1 1st Violin. Arranged by Vernon Leidig. Instructional. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0014610_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014610_VN1). UPC: 038081376233.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This title features classics for concert or contest. Titles: Renaissance Suite * Adagio and March * Bohemian Dance.Concert/Contest.
$5.99
5.52 €
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Violon (partie séparée)
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Vernon Leidig
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Classics for Contest: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.713228 Composed by Doug Clyde. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.713228 Composed by Doug Clyde. Contemporary. Score and parts. 40 pages. ALBEDO MUSIC #2551065. Published by ALBEDO MUSIC (A0.713228). Symphony No. 1 Forgotten Lands- Movement V. Adagio, Vivace (Full Orchestra): Doug Clyde. Song: Movement V. Adagio, Vivace. Album: Symphony No. 1. Artist: ALBEDO. Composer: Doug Clyde. © 2012 by ALBEDO MUSIC. AMSM61. The fifth movement of a five movement Symphony based on the music from Forgotten Lands. Full Orchestra & SATB Choir. Score & Parts- Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet, Bassoon 1, Bassoon 2, Contrabassoon, Horn in F 1, Horn in F 3, Horn in F 2 & 4, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Trombone 1, Trombone 2 & Bass Trombone, Contrabass Trombone & Contrabass Tuba or Bass Tuba, Timpani, Percussion (Bass Drum, Snare Drum, Tam-Tam), Harp, Piano, Organ, Soprano, Alto, Tenor, Bass, Violin I, Violin II, Viola, Cello, Contrabass
$29.99
27.61 €
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Orchestre
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Doug Clyde
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SATB Choir. Score &
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Symphony No.1 "Forgotten Lands", Movement V. Adagio, Vivace
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ALBEDO MUSIC
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SheetMusicPlus
Concerto for Two English horns in G Major, Op. 9 No. 6
2 Cors Anglais Et Pianoforte
Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.955137 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 18 pages. Chamber Ensemble of Minnesota, Inc. #4776969. Published by Chamber Ensemble of Minnesota, Inc. (A0.955137). English horn I and English horn II soloist score and soloist parts of the Concerto for Two Oboes in G Major, Op. 9, No. 6 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick for two English horns. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes 2019 Chamber Ensemble of Minnesota, Inc.
$7.00
6.45 €
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2 Cors Anglais Et Pianoforte
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Two English horns in G Major, Op. 9 No. 6
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two English horns in F Major, Op. 9 No. 3
2 Cors Anglais Et Pianoforte
Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.955130 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 18 pages. Chamber Ensemble of Minnesota, Inc. #4767767. Published by Chamber Ensemble of Minnesota, Inc. (A0.955130). English horn I and English horn II soloist score and soloist parts of the Concerto for Two Oboes in F Major, Op. 9, No. 3 and String Orchestra, composed in 1722 by T. Albinoni, arranged by D Werdick for two English horns. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$7.00
6.45 €
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2 Cors Anglais Et Pianoforte
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Two English horns in F Major, Op. 9 No. 3
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 7 No. 11
2 Cors Anglais Et Pianoforte
Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.955124 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 15 pages. Chamber Ensemble of Minnesota, Inc. #4767093. Published by Chamber Ensemble of Minnesota, Inc. (A0.955124). English horn I and English horn II soloist score and soloist parts of the Concerto for Two Oboes in C Major, Op. 7, No. 11 and String Orchestra, composed in 1715 by T. Albinoni, arranged by D Werdick for two English horns. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes 2019 Chamber Ensemble of Minnesota, Inc.
$7.00
6.45 €
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2 Cors Anglais Et Pianoforte
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Two English horns in C Major, Op. 7 No. 11
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Two English horns in C Major, Op. 7 No. 2
2 Cors Anglais Et Pianoforte
Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet English Horn,Instrumental Duet - Level 4 - Digital Download SKU: A0.955094 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 10 pages. Chamber Ensemble of Minnesota, Inc. #4628663. Published by Chamber Ensemble of Minnesota, Inc. (A0.955094). Soloist score and solo parts of the Concerto for Two Oboes in C Major, Op. 7, No. 2 and String Orchestra , composed in 1715 by T. Albinoni, arranged by D. Werdick for Two English horns. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 30 seconds 2019 Chamber Ensemble of Minnesota, Inc.
$7.00
6.45 €
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2 Cors Anglais Et Pianoforte
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Two English horns in C Major, Op. 7 No. 2
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Classics for Contest: Piano Accompaniment
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0014610_K Piano Accompaniment
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String Orchestra - Digital Download SKU: AX.00-PC-0014610_K Piano Accompaniment. Arranged by Vernon Leidig. Instructional. Part. 12 pages. Alfred Music - Digital Sheet Music #00-PC-0014610_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014610_K). UPC: 038081376233.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This title features classics for concert or contest. Titles: Renaissance Suite * Adagio and March * Bohemian Dance.Concert/Contest.
$5.99
5.52 €
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Orchestre à Cordes
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Vernon Leidig
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Classics for Contest: Piano Accompaniment
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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